Going patchwork mini

This quarter my guild has a mini & MAXI theme and a challenge to go with it. We could choose from the half-square triangle, pineapple, robbing Peter to pay Paul or crown and star blocks to make something to fit the theme.

I chose the pineapple block because I had never made one even though it is quite similar to the log cabin block which I love to make. Going maxi would quickly lead to a quilt top and, since I already have several tops still waiting to be quilted, going mini seemed the wiser choice here. A postcard maybe?

Scrolling through Google images for inspiration I saw a lot of different pineapple variations but they were all square, as most quilt blocks are. Since I was thinking about making a postcard, I started wondering what the pineapple block would look like if it was stretched out to fit a 4×6” block.

So, I went to Adobe Illustrator to play around a bit and I came up with a FPP design that I thought promising. It definitely qualifies as mini with 69 pieces and the smallest less than ¼” wide.

For the fabrics I chose a simple pastel colour scheme that is a bit outside of the colour range that I usually gravitate toward but I quite like it. The background is Bella solid Mint and the triangles are Coral Rose and Pale Pink. I thought it fun to make the small triangles pop.

At the beginning it was a bit fiddly, but the block came together quicker than I had expected. After a couple of rounds it’s possible to sew the four triangles in one go before you need to press again which really speeds things up.

To finish, I paired the patchwork top with a light blue fabric interfaced with Decovil light and simply zig zagged the edges with a reddish thread.

All in all, a successful experiment!

Completed: I’ll walk you through the forest

In July I made a quilt to participate in the Modern Quilt Guild’s “Make a difference challenge”. The theme was trees and the proceeds of the challenge went to Trees for the Future, an organization that wants to end hunger and poverty by training farmers to regenerate their land by planting trees that protect the soil.  

At first, I wasn’t sure what to make but then I remembered that I had started an improv trees and stars quilt using Kaffe Fassett shot cottons in 2018. At some point I got stuck on how to proceed so I only had a pile of blocks. With the trees theme I thought these blocks would be a great start to quickly assemble a quilt top. I used most of the blocks I had made and pieced it all together filling in the gaps with scraps. The shape started to get a bit weird quite quickly and because I didn’t want to make more stars or trees and ran out of background fabric, I decided that the best way forward was to make a non-square quilt. It was always meant to become a wall hanging anyway.

The back is a single fabric that kind of reminds me of tree bark and the batting is Quilters Dream Poly Select. I like this batting for wall hangings.

In the sky I wanted to quilt something swirly, very loosely inspired by Van Gogh’s starry night. This would be a pain to do with a walking foot because it’d require constant turning of the quilt. My FMQ skills are definitely not up to that level so I decided to hand quilt with perle 8 cotton and embroidery floss. And there went my “finish a quilt quickly” idea…

I wanted a denser forest so I quilted more trees, using different shapes to fill the outlines to add a bit more interest. Through the forest runs a path that is partly hidden by the trees. This is what the title “I’ll walk you through the forest” refers to. This quilt is going to hang in my youngest daughter’s bedroom and it signifies that I’ll also be there for her in those moments that her path in life might seem a bit less clear.

To make the deadline I added the binding before I finished quilting and this worked quite well. Usually I attach the binding by hand using the invisible ladder stitch, but this time I used some big stitches which was definitely faster and also looks quite nice on the back.

I am very happy that these blocks have finally turned into a quilt. I still need to add a label and a hanging sleeve though. The curved top makes the latter a bit of a challenge, however. If anyone has any brilliant suggestions on how to hang this quilt without the top flopping down, I would love to hear them!

Completed: Erica’s pincushion

In May and June the Dutch MQG organized a pincushion swap and of course I participated. I had to make something for Erica, which is great because last year she made me a very beautiful mini quilt so it was nice to make her something in return.

Everyone had to make an inspirational mosaic and answer some questions so their swap partner could get some ideas. Erica likes green and nature and wanted a small pincushion with room on the sides to stick needles in. The pincushions in her mosaic contained a lot of triangles (my favourite!) and fussy cutting which I decided to incorporate into my own design.

I played around in Adobe Illustrator to create a foundation paper piecing pattern to use for the top of the pincushion. The block was originally 4 inches but as I started assembling it this felt too large for a small pincushion and I reduced it to 3 inches. Oh, and yes, I do remind myself to check the printer settings before printing FPP patterns.

I was super happy to find a fabric that I could cut a ball like flowery thing out of that somewhat resembled the flowery pictures that she put in her mosaic. That fabric also contained several other smaller items that I fussy cut for the corners. I picked some green and yellow-green fabrics to work with that purple fabric and as a fellow lover of green I am very pleased with how it all turned out.

The sides are 1 3/8’’ high which was mainly determined by the print that I wanted to fussy cut. The sides were sewn to the top and bottom using Y-seams and this came together without problems. Y-seams don’t scare me. I filled the pincushion with lavender scented crushed walnut shells. This was the first time I used this type of filling and I really like how it feels when you push the pins into the shells. Apparently it helps to keep your pins and needles sharp. I also like that it adds some weight to the pincushion so that it sits a bit more stable. The lavender smell is great; it reminds me of summer vacations in southern France with my parents.

My guild’s theme for this quarter is scraps so I made a scrap card to send with the pincushion. As part of the swap we also included 50 grams of our own scraps in our package so we’d all get some new fabrics to play with. I chose a variety of sizes and shapes and a combination of prints and solids.

You are probably also curious to see what I got in return. Ingrid made me a pincushion from the Deluxe pattern of Heidi Staples. I love the fussy cutting of the text fabrics that she included. This pincushion has a pocket that can be used to put a pair of scissors in but I prefer to keep my scissors elsewhere so I used the nine patch to organize the different types of pins that I use most often. The top of the pocket can be used to clip wonderclips on, I think this feature will really come in handy. The scraps that I received were very different from the fabrics that I currently have in my scrap box so they were a very good addition to add some more variety to my projects. All in all, I consider this another very successful swap!

Completed: wholecloth handquilted pillow

With the Dutch modern quilt guild we have a theme each quarter and we are challenged to make things that fit inside this theme. Last summer the theme was modern traditional. The challenge was to create something with a modern twist using the churn dash, ohio star, dutchman’s puzzle or basket traditional block.

I played around with the idea of doing a wholecloth quilt where the quilting defines the shapes of the traditional block. I got as far as making a small quilt sandwich and machine quilting the outlines of the Dutchman’s puzzle. Then I got sort of stuck on what to do next and it just sat in one of the piles on the desk next to my sewing machine.

The first theme of 2021 was slow stitching and we did a Zoom hand quilting workshop for which I needed something to practice on. Instead of making another quilt sandwich I simply pulled the unfinished Dutchman’s puzzle from the pile and started stitching in the background triangles without much of a plan. Just starting is sometimes the best way to get out of indecision. I used the Sulky 12wt Cotton Petites thread that I had received from the DutchMQG for this theme and I really liked sewing with it. It sewed smoothly and didn’t tangle.

After filling in the background triangles it was time to do something with the geese and I thought the piece needed a bit more colour so I switched to the thicker Wonderfil Perle 8 thread that I already had in my stash and picked green, blue, pink and yellow. After finishing I didn’t like the yellow so much because the contrast with the green background wasn’t as good as with the other 3 colours so I replaced it with a light brown which worked much better.

At some point I also started to hate the black machine stitched lines and pulled those out as well. Much, much better.

For the back of the pillow I picked a quilting cotton from my stash and underlined it with another piece of cotton before installing an invisible zipper. I am very happy with how this pillow turned out. I am now toying with the idea of doing a larger wholecloth quilt to create a handquilted sampler using traditional block shapes. I do tend to overthink these things and am currently stuck on what to choose for the background fabric since that is going to define the look of the piece so much. Suggestions anyone?

Completed: curvy crosses drawstring bag

In December I participated in a winter swap organized by the dutchMQG. We each had to prepare 12 gifts for another member and some of the gifts had to be handmade. They were opened in the 12 days preceding Christmas and it was a lot of fun to see what everyone received. I had to make something for Ingrid and she loves blue and plus blocks so to combine those two in an item was a given. Each quarter we also have a specific theme at our guild and at the time it was curves, so I also wanted to include some curved piecing

For my final gift I made a quilted drawstring bag. I first sewed 9 improv curvy cross blocks to create a panel for the front of the bag. This was framed in a dark blue solid fabric to make it large enough. For the back panel I used a single piece of the same dark blue solid. The front was quilted in the ditch and on the back I quilted one large curvy cross.

The front and back panels were sewn together and the corners at the bottom were boxed so that the bag can stand up on its own. I did not use a separate lining. For the sides I used French seams and for the corners the seams were bound with a strip of fabric because the layers just got too thick for French seams.

For the closure at the top I used a single layer of the dark blue solid because that would make it easier to close the bag than when you have to pull a quilted layer together. The top was folded over to create the channel for the drawstring. It was attached to the main piece and again I used some binding to cover the seam.

I dug through my collection of saved ribbons for something suitable to use for the drawstring and found this nice off white piece that was just long enough. I am very pleased with how this bag turned out!

My first newsletter goes out on Saturday so if you don’t want to miss it there is still time to sign up here! I will share a personal story of how I came to be where I am now and what my plans are for the near future.

Completed: Bellen blazen mini quilt

200621_foto3

Bellen blazen

This year the dutchMQG has set a theme for each quarter and there is usually also an activity organized around this theme. With this quarter’s theme “colour” we had the option to participate in a swap to make a miniquilt for another member. We had to make an inspirational mosaic for our swap partner and answer some colour-related questions.

200621_foto1

Mique’s mosaic

I had to make something for Mique and she said she likes curves, abstract art and happy colours. She also said she’d basically like her partner to make anything as long as it brought joy. Ah, well, that sounded totally doable and up my street!

In the questions she answered that she liked everything by the painter Kadinsky, so I had a look at his work and noticed a lot of colourful circles. So, combined with her liking for curves I figured I’d give her a quilt that, apart from the binding around it, doesn’t have a single straight seam in the top! I played around in Illustrator for a bit to get a layout I liked. Considering the options on how to piece the quite complex design I thought that English Paper piecing (EPP) would probably be my best bet. So I recreated the design using a compass on four A4 160gr sheets I had taped together and cut to a 16.5’’ square.

200621_foto8

The right picture shows the circles I drew with the compass, they’re a bit hard to see, sorry.

As a complete side note, I found Florence Knapp’s book “Flossie teacakes’ Guide to English Paper Piecing” extremely useful in figuring out how to wrap the papers and piece the curves. I ordered her book as soon as I saw that she had written one as I’ve followed her blog for several years now, enjoy her writing style and admire her intricate EPP work, despite my complete lack of understanding of her love for Liberty prints (sorry folks, most of those prints just don’t do it for me). Anyway, if you want to get into EPP I can highly recommend Florence’s book.

Since the theme was colour I wanted colour to play an important role in the design and I thought the cirles would be an excellent opportunity to play around with transparency. Years ago I bought a light and dark fat quarter bundle of Kaffe Fassett shot cottons so I had a lot of different colours to choose from. I cut a tiny piece of each colour and started playing around by laying the pieces of fabric on the still uncut piece of paper. When I found a layout I liked I labelled each tiny piece of fabric with the corresponding number of the pattern piece. There are 28 pattern pieces and 27 different colours.

200621_foto9

Playing with colour.

The next step was cutting the paper into templates and I made sure to also label each piece on the back (since the front would end up covered in fabric) and also indicated which other templates a piece had to be joined on each side to make my life easier later on.

200621_foto10

For wrapping around the paper templates I used a Sewline glue stick because Florence specifically advised this for wrapping curves. I didn’t have any trouble wrapping and it was certainly a lot faster than the thread basting I had used for my previous (and to be honest very limited) EPP endeavours.

200621_foto11

Piecing sections.

For piecing I used Aurifil 50 wt cotton thread which I have in several neutral colours, picking the shade that was least conspicuous for each seam. Sewing went smoother than anticipated (feared?), probably because I carefully considered the order in which I put things together, trying to keep the seams as short as possible and avoiding any sharp corners. It’s certainly not perfect, but close enough for me.

200621_foto6

All pieced, paper still inside.

For the back I decided to sort of stay in the Kaffe Fassett theme and selected four 10’’ squares with prints that certainly tick the happy colours box. I recently decided that I wanted to experiment a bit more with different battings and this time I used Quilters Dream Poly Select and so far I like working with it. It gives quite a flat finish.

200621_foto12

The overlapping circles of the top started to remind me of blowing bubbles which I did a lot with my daughter during the first couple of weeks of the lockdown. When I started considering how to quilt the top I decided that I wanted to incorporate that idea even more and selected a variegated thread to add more colourful overlapping circles. I used several plates to draw circles and quilted them with a walking foot. Since I was going to turn the quilt constantly to sew the circles the quilt was spray basted to prevent the fabric from shifting.

200621_foto7

Rejected binding options.

Selecting the binding took a long time as I auditioned a lot of fabrics before I found something that worked. White and grey fabrics were too boring and didn’t add anything to the design. Dark fabrics were better but dominated too much. In the end I pulled some leftovers from a solids jelly roll that, if I remember correctly, was designed/curated by Elizabeth Hartman. When I started playing with those it all came together. When the right colour was added to a side it enhanced the design so a colourful, pieced binding it was.

200621_foto4

I think the binding works well on both sides, which was a lucky accident since I originally planned to use a single binding fabric.

As a final touch I added a label. I rarely make labels this elaborate, usually it’s just my initials and the year, but for this piece it seemed like the right thing to do. I named this quilt “Bellen blazen”, which is Dutch for blowing bubbles.

200621_foto2

I am super pleased with how this small quilt turned out and I found it quite difficult to stuff it in an envelope to mail to someone else. I just have to remind myself that without this swap I would never even have made anything like this. I learned a lot from the process of making this quilt and am now contemplating making something similar for myself.

200621_foto5

Quilting close up.

Finally, I am guessing some of you will be curious to know what I received in return? Erica made me a beautiful quilt inspired by Katie Pedersen‘s “Fractured quilt” from the book “Quilting Modern”. This quilt is one of my favourites in this book so that choice was spot on. I also really love the colour combinations and that the quilt is bound in a way that you can’t see the binding (or should I call it a facing?) from the front. I think that really works for this quilt. I am going to hang it in my sewing room so I can look at it often. This was definitely a good swap to participate in.

200621_foto13

The quilt Erica made for me.

Week 23/2018: What’s on my design wall?

During the Dutch modern quilt guild gettogether that I went to on Sunday we worked on our contribution for the Quiltcon 2019 Charity Quilt Challenge. Everyone has to stick to a certain colour palette and a design theme. This year’s theme is small piecing with elements that are smaller than 1′. We are going to make 690 (yes, you read that correct, 690!) 3” finished blocks. Whoah.

On Sunday we finished close to 110 blocks and everyone took home some fabric to make some more. Members that didn’t attend on Sunday will be send fabric if they also want to contribute.

180606_1

This is what our design wall looked like on Sunday afternoon.

This morning I cut into the fabrics I had taken home and added a couple of my own that I hope are a well enough match to the colour palette. I managed to complete 10 blocks before I ran out of fabric. On Sunday I completed a dozen or so as well, so if 34 other members also complete 20 blocks we’re good.

180606_2

The blocks I made today.